Jamesian Intertexts in Selim İleri’s Bu Yalan Tango
Keywords:
Henry James, Selim İleri, intertextuality, feminism, queer critique, Turkish literatureAbstract
This article analyzes the intertextual engagement with Henry James in Selim İleri's novel Bu Yalan Tango. The study examines how İleri integrates Jamesian narrative techniques and thematic concerns into his work, particularly focusing on point of view, feminism, and queer critique. The paper explores the novel's dense intertextuality, which includes references to James's works and adaptations, and argues that these intertexts are central to understanding the novel's narrative and thematic processes. The author contends that İleri's use of Jamesian configurations addresses broader issues facing contemporary Turkish writers, such as the negotiation between personal and political terrains. This article demonstrates the significance of Jamesian intertexts in Bu Yalan Tango, highlighting their role in combining feminist and queer agendas while reflecting on the reception of James in Turkish literary culture.(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)
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