Culture, History and Consciousness in DeLillo’s White Noise: The Aesthetics of Cyberspace
Keywords:
White Noise, Don DeLillo, Walter Benjamin, Frank Lentricchia, cyberspaceAbstract
This article examines Don DeLillo’s White Noise through the theoretical frameworks of Walter Benjamin and Frank Lentricchia. It argues that media representations—particularly television and computers—construct a form of virtual space that shapes identity and consciousness. The study demonstrates how this mediated reality enables the coexistence of individual and collective consciousness beyond fragmented postmodern identities. By analyzing narrative structure and character dynamics, it suggests that the novel offers a possibility of unity within contemporary chaos, where historical and timeless dimensions intersect.
(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)
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