A World without Islam

Abstract

This abstract examines *Existentialism and Social Engagement in the Films of Michael Mann* by Vincent M. Gaine, which explores how existentialist themes permeate Mann's cinematic works. Since his debut with *Thief* (1981) and through films like *Manhunter* (1986), *Heat* (1995), and *Public Enemies* (2009), Mann has consistently interrogated the ethical relationship between individuals and society, particularly within the context of late capitalism. Gaine argues that Mann’s protagonists embody existential freedom and responsibility, grappling with self-determination amidst societal pressures. The book delves into how Mann's films illustrate the tension between personal autonomy and the dehumanizing effects of modern capitalist structures. By focusing on existentialism, Gaine provides a fresh perspective on Mann’s oeuvre, positioning him not merely as a crime filmmaker but as an insightful commentator on contemporary American society. This study contributes to the growing body of scholarship that recognizes Mann's significance in shaping modern American cinema, alongside works by Nick James and Mark E. Wildermuth.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)