Sinemadaki Gore Vidal
Anahtar Kelimeler:
Gore Vidal- Hollywood- film uyarlaması- kamusal entelektüel- kültürel tartışmaÖz
Bu makale Gore Vidal'in Hollywood ile karmaşık ilişkisini analiz ederek, onu kültürel etkisinin eleştirmenliğini yapan bir gözlemci ve isteksizce katılımcısı olarak ikiyüzlü rolünü keşfeder. Makale, Vidal'ın 'The Left Handed Gun' (1958) ve 'Caligula' (1979) gibi filmlerde yaratıcı kontrolün kaybedilmesi nedeniyle film dünyasına karşı tutumunun kararsız olduğunu öne sürmektedir. Film çalışmalarının kariyerinin önemli bir parçası olduğu ve onun kamusal entelektüel statüsüne katkıda bulunduğu konusunda inceleme, Vidal'ın sinemayı sosyal ve kültürel tartışmalarda kullanma çabalarını kronolojik bir anket yoluyla araştırır. Yazar, Vidal'ın farklı medya formları arasındaki ayrılıkları köprülemek için çoklu medya yaklaşımının kullanıldığını savunurken, Amerikan tarihinin ve politikasının resmi kaynaklar tarafından sunulan anlatılardan farklı alternatif anlatımlar sunmayı amaçladığını gösterir. Ana bulgular, Vidal'ın sinemayı eğitimsel amaçlarla kullanma hedeflerini vurgular ve onu kamusal alanda tartışma konusu olarak öne çıkarır.
(Türkçe özet ve anahtar kelimeler, özgün makaleye dayanılarak dizinleme amacıyla yapay zekâ destekli araçlar ve editör gözetiminde geriye dönük olarak hazırlanmıştır. Bu unsurlar özgün yayında yer almamaktadır.)
Referanslar
Altman, Dennis. Gore Vidal’s America. Cambridge, UK, and Malden, VA: Polity Press, 2005. Print.
“AMC Backstory: Myra Breckinridge.” Dir. Rex Hastings. Perf. Raquel Welch, Michael Sarne. AMC, 2001. Television.
Bahrenburg, Bruce. “An Opening Night in the Old Style.” Newark Sunday News, 5 Jul. 1970: 3. Print.
Ben Hur. Dir. William Wyler. Perf. Charlton Heston, Stephen Boyd, Jack Hawkins. MGM, 1959. Film.
Bob Roberts. Dir. Tim Robbins. Perf. Tim Robbins, Susan Sarandon, Alan Rickman. Warner Brothers/ Live Entertainment/ Polygram Filmed Entertainment, 1992. Film.
Caligula. Dir. Tinto Brass. Perf. Malcolm McDowell, Helen Mirren, John Gielgud. Penthouse Films International/ Felix Cinematografica, 1979. Film.
The Best Man. Dir. Franklin J. Schaffner. Perf. Henry Fonda, Cliff Robertson, Margaret Leighton. Millar/Turman Productions/ United Artists, 1964. Film.
Dick, Bernard F. “The Passenger and Literary Existentialism.” Literature/ Film Quarterly 5, 1 (1977): 66-74. Print.
Diffrient, David Scott. “Hard to Handle? Camp Criticism, Trash – Film Reception and the Transgressive Pleasures of Myra Breckinridge.” Cinema Journal 52.2 (Winter 2013): 46-65. Print.
Disch, Thomas. The Dreams Our Stuff is Made Of. New York: Free Press, 1998. Print.
Endres, Nikolai. “Roman Fever: Petronius’ Satyricon and Gore Vidal’s The City and the Pillar.” Ancient Narrative 4 (2004): 99-141. Print.
Fellini’s Roma. Dir. Federico Fellini. Perf. Peter Gonzales Falcon, Fiona Florence, Britta Barnes. Ultra Film/ Les Productions Artistes Associés, 1972. Film.
Frank, Marcie. How to be an Intellectual in the Age of TV: The Lessons of Gore Vidal. Durham, NC and London: Duke UP, 2005. Print.
Gattaca. Dir. Andrew Niccol. Perf. Ethan Hawke, Jude Law, Uma Thurman. Columbia Pictures, 1996. Film.
“Gore Vidal: Self.” The Internet Movie Database (2012). Web. 24 Mar. 2012.
Igby Goes Down. Dir. Burr Steers. Perf. Kieran Culkin, Clare Danes, Jeff Goldblum. United Artists/ Atlantic Streamline, 2002. Film.
Isherwood, Charles. “Mr. Chairman, the Great Stage of Nostalgia …” New York Times 1 Apr. 2012. Web. 18 Mar. 2013.
Is Paris Burning? Dir. René Clément. Perf. Jean-Paul Belmondo, Charles Boyer, Jean-Pierre Cassel. Marianne Productions/ Transcontinental Films, 1966. Film.
Kaplan, Fred. Gore Vidal: A Biography. New York: Doubleday, 1999. Print.
Kloman, Harry. “Gore Vidal’s Television Plays.” The Gore Vidal Index (2012). Web. 13 Apr. 2012.
Last of the Mobile Hot Shots. Dir. Sidney Lumet. Perf. James Coburn, Lynn Redgrave, Robert Hooks. Warner Brothers/ Seven Arts, 1970. Film.
The Left Handed Gun. Dir. Arthur Penn. Perf. Paul Newman, Hurd Hatfield. Warner Brothers, 1958. Film.
Lincoln. Dir. Lamont Johnson. Perf. Sam Waterston, Mary Tyler Moore, Richard Mulligan. Chris/Rose Productions, Finnegan/Pinchuk Productions, 1988. Televlsion.
Lincoln. Dir. Steven Spielberg. Perf. Daniel Day-Lewis, Sally Field, Tommy Lee Jones. Dreamworks SKG/ Twentieth Century-Fox, 2012. Film.
Lytle, John. “Mike Sarne? Mike Sarne? Why?” The Independent (London) 17 Jul. 1993. Web. 24 Feb. 2012.
Medved, Harry, and Randy Dreyfuss. The Fifty Worst Movies of All Time (and How They Got That Way). New York: Popular Library, 1978. Print.
My Favorite Martian. Dir. John L. Greene et. al. Perf. Ray Walston, Bill Bixby. CBS, 1963-6. Television.
Myra Breckinridge. Dir. Michael Sarne. Perf. Mae West, Raquel Welch, John Huston. Twentieth Century-Fox, 1970. Film.
O’Connor, Colin. “Michael Sarne – A Pioneering British Filmmaker of Czech Descent.” Radio Praha One-on-One 4 May 2009. Web. 24 Feb. 2012.
Ohi, Kevin. “Devouring Creation: Cannibalism, Sodomy, and the Scene of Analysis in Suddenly, Last Summer.” Cinema Journal 38.3 (Spring 1999): 27-49. Print.
Pacheco, Patrick. “Gore Vidal’s The Best Man: Playing Now, Shows His Lasting Legacy and Political Prescience.” Blouin ArtInfo 1 Aug. 2012. Web. 16 Mar. 2012.
Said, Edward. ““The Public Role of Writers and Intellectuals.” The Public Intellectual. Ed. Helen Small. 19-40. Malden, VA, and Oxford: Blackwell Publishing, 2002. Print.
The Scapegoat. Dir. Robert Hamer. Perf. Alec Guinness, Bette Davis. MGM, 1959. Film.
Shadow Conspiracy. Dir. George P. Cosmatos. Perf. Charlie Sheen, Linda Hamilton, Donald Sutherland. Cinergi Pictures Entertainment/ Hollywood Pictures, 1997. Film.
Shrink. Dir. Jonas Pate. Perf. Kevin Spacey, Mark Webber, Saffron Burrows. Roadside Attractions/ Ignite Entertainment, 2009. Film.
The Sicilian. Dir. Michael Cimino. Perf. Christopher Lambert, Joss Ackland, Terence Stamp. Gladden Entertainment, 1987. Film.
Stanton, Robert, and Gore Vidal, eds. Views from a Window: Conversations with Gore Vidal. Secaucus, NJ: Lyle Stuart, Inc., 1980. Print.
Suddenly, Last Summer. Dir. Joseph L. Mankiewicz. Perf. Katharine Hepburn, Elizabeth Taylor, Montgomery Clift. Horizon Pictures/ Columbia Pictures, 1959. Film.
Tarzan and the Amazons. Dir. Kurt Neumann. Perf. Johnny Weissmuller, Brenda Joyce, Johnny Sheffield. Sol Lesser Productions/ RKO Radio Pictures, 1945. Film.
Tatum, James. “The Romanitas of Gore Vidal.” Raritan 11.4 (Spring 1992): 99-123. Print.
Tereschuk, David. “The Precision of Gore Vidal.” Huff Post Media Blog 2 Aug. 2012. Web. 24 Feb. 2012.
The US vs. John Lennon. Dirs. David Leaf, John Scheinfeld. Lionsgate/ VH1 Rock Docs, 2006. Documentary.
Vidal, Gore. The American Presidency. Berkeley, CA: Odonian Press, 1998. Print.
----. The Decline and Fall of the American Empire. Berkeley, CA: Odonian Press, 1992. Print.
---. “An Exchange?” New York Review of Books, 28 Apr. 1988. Web. 25 Mar. 2012.
---. Hollywood. London: Andre Deutsch, 1989. Print.
---. I Told You So: Gore Vidal Talks Politics. Ed. Jon Wiener. Berkeley, CA: Counterpoint, 2012. Print.
---. Hollywood. London: Andre Deutsch, 1989. Print.
---. Kalki. 1978. London: Abacus, 1993. Print.
---. Point-to-Point Navigation. London: Abacus, 2006. Print.
---. Screening History. Cambridge, MA: Harvard UP, 1992. Print.
---. “The State of the Union” (1975). Matters of Fact and Fiction: Essays 1973-1976. 265-85. New York: Random House, 1977. Print.
---. “Time for a People’s Convention.” The Decline and Fall of the American Empire. Berkeley, CA: Odonian Press, 1992: 54-88. Print.
---. “Visit to a Small Planet” (1957). Homage to Daniel Shays: Collected Essays 1952-1972. New York: Random House, 1972: 35-40. Print.
---. “Who Makes the Movies?” (1976), Authors and Authorship: A Film Reader. Ed. Barry Keith Grant. 148-56. Malden, MA, and Oxford: Blackwell Publishing, 2008. Print.
---. “Writing Plays for Television” (1956). Homage to Daniel Shays: Collected Essays 1952-1972. New York: Random House, 1972: 27-34. Print.
Visit to a Small Planet. Dir. Norman Taurog. Perf. Jerry Lewis, Joan Blackman. Paramount Pictures, 1960. Film.
Williams, Tennessee. Two Plays: Orpheus Descending and Suddenly, Last Summer. New York: New Directions Publishing Corporation, 2012. Print.
With Honors. Dir. Alek Keshishian. Perf. Joe Pesci, Brendan Fraser, Gore Vidal. Spring Creek Productions/ Warner Brothers, 1994. Film.
