‘After 9/11’: 25th Hour

Abstract

His article analyzes the philosophical and cultural implications of the September 11, 2001, terrorist attacks on the United States through an examination of Spike Lee's film '25th Hour.' The paper explores Theodor Adorno's concept of a new epoch beginning 'After Auschwitz' as a framework for understanding the historical reconfiguration of time following 9/11. The article argues that America has fundamentally changed post-9/11, and this shift is reflected in the film's subtle references to Ground Zero. The author contends that these references, though not explicitly discussed, serve as silent tributes to the event. This study examines how art can interpret and convey the ambiguity of such a profound historical moment without direct commentary. The significance of this work lies in its contribution to the understanding of cultural responses to trauma and the role of art in processing collective grief.

(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)