American Magic Realism: Crossing the Borders in Literatures of the Margins
Keywords:
magic realism, Louise Erdrich, Tracks, Amy Tan, The Hundred Secret SensesAbstract
This article examines magic realism as a transnational literary mode within American ethnic literatures. It argues that magic realism should not be confined to Latin American traditions but is widely present in African American, Native American, Asian American, and Latino/a writing. Through the analysis of Louise Erdrich’s Tracks and Amy Tan’s The Hundred Secret Senses, the study demonstrates how this mode blurs the boundaries between rational and irrational realities. Drawing on Fredric Jameson and Alejo Carpentier, it highlights the role of magic realism in challenging positivist thought and representing marginalized identities.
(The abstract and keywords were prepared retrospectively for indexing purposes using AI-assisted tools and editorial review, based on the original article. They did not appear in the original publication.)
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